Life and Dreams
Contemporary Chinese Photography and Media Art

5/13/2018 - 11/18/2018

Rr 4528 Walthercollection Rongrong Eastvillage Untitled 1993 1998 18

Conceptual Framework

The Walther Collection presents Life and Dreams: Contemporary Chinese Photography and Media Art, the first extensive exhibition of works by Chinese artists represented in The Walther Collection. Featuring forty-three artists, Life and Dreams showcases a wide range of groundbreaking photography and media art produced by internationally recognized figures such as Yang Fudong, Zhang Peili, Ai Weiwei, Song Dong, Cao Fei, and Zhang Huan during an era of momentous social and economic change. It also incorporates new acquisitions and selected loans of significant media art by innovative younger artists such as Sun Xun, Lu Yang, and Cheng Ran to provide an up-to-the-minute account of the main directions and key achievements in contemporary Chinese photography and media art during the past three decades.

Curated by Christopher Phillips, Life and Dreams opened at The Walther Collection in Neu-Ulm, Germany on May 13, 2018, and is accompanied by a catalogue edited by Christopher Phillips and Wu Hung, co-published by Steidl / The Walther Collection.

Aww 316A Walthercollection Aiweiwei Droppingahandynastyurn 1995 72Dpi
Ai Weiwei, Dropping a Han Dynasty Urn, 2004

Showing visually inventive and emotionally compelling artworks, the exhibition demonstrates the remarkable speed with which photography and media art have occupied important positions within the field of experimental Chinese art since the early 1990s. Throughout Life and Dreams, photographic works register artists’ responses to the sweeping social and economic changes that have fundamentally altered the face of China’s cities and transformed the fabric of everyday life. Featured selections of media art often evoke an ambiguous world of technological fantasy, suggesting where these changes may be leading the country and its inhabitants.

Sd 367 Walthercollection Songdong Printingonwaterperformancelhasarivertibet 1996
Song Dong, Printing on Water (Performance in the Lhasa River, Tibet), 1996

Life and Dreams does not set out to provide a full account of the many facets of Chinese photography and media art that have developed over the last three decades. Instead, it offers a selection of works that represent diverse, challenging, and complex individual perspectives. Although its core consists of the extraordinary photographic works made during the 1990s, the exhibition goes beyond offering a fixed view of that crucial chapter in the development of photography and media art in China. The simple passage of time has a remarkable power to throw older works into new relief, bringing out qualities that would have been imperceptible at earlier moments. In addition, placing earlier photographic works in the company of recent examples of Chinese media art allows for surprising echoes, affinities, and continuities to be revealed.

Mcx 363 Walthercollection Miaoxiaochun Mirage 2004
Miao Xiaochun, Mirage, 2004

To highlight the underlying currents in contemporary Chinese artistic production, Life and Dreams contains five modular themes, which unfold throughout the White Cube, the Black House, and the Green House. Together, these topics constitute an informal network of ideas and associations that link the works within the exhibition together.

The White Cube

Taking the Beijing East Village as its impetus, the White Cube demonstrates how Chinese artists and photographers such as Zhang Huan and Ma Liuming, intensely and collectively explored the multiple expressive possibilities of photography.

Mlm 361 Walthercollection Maliuming Fen Mawalksthegreatwall 1998
Ma Liuming, Fen-Ma Liuming Walks the Great Wall, 1998

One of the most radical innovations of photography in the early 1990s was an aggressive emphasis on the nude human body, a motif rarely found in traditional Chinese art. “The Body as Language” articulates the ways that artists such as Zhang Huan and Ma Liuming deployed the camera to document performances that tested the limits of the body, explored the changing sense of self in modern China, and confronted aspects of the country’s history and culture.

Wqs 386 Walthercollection Wangqingsong Nightrevels 2000
Wang Qingsong, Night Revels of Lao Li, 2000

Some of the works exhibited in the White Cube refer to historic artworks and artifacts from China’s 2000-year cultural heritage. Through expansive and sprawling compositions, the artists—such as Ai Weiwei, Wang Qingsong, and Hong Lei—in “Revisiting and Recasting the Classics” update and synthesize classical, historical imagery to comment on contemporary issues.

Stl 347 Walthercollection Szetsungleong Wangjingxincheng Historyimages 2003
Sze Tsung Nicolas Leong, Wangjing Xincheng, Chaoyang District, Beijing, 2003

Surveying, examining, and intervening upon the architectural and built environment, the artists in “Urban Utopias and Dystopias”—also shown in the White Cube—present a variety of ways to consider the tensions embedded within the physical structures of urban China. Works by Zhang Dali, Luo Yongjin, Xiang Liqing, and Sze Tsung Nicolás Leong reflect the demolition of long-established urban neighborhoods in Beijing and Shanghai, in order to make way for high-rise developments.

The Black House

While many aspects of daily life have undergone tremendous changes since the country officially launched its reform and opening policy in 1978, the Chinese Communist Party has been able to maintain its monopoly of power through authoritarian-dictatorial style of government. Producing artworks that offer explicit political commentary continues to be dangerous in China, but such works created by artists as Mo Yi, Bo Wang, or Sheng Qi are still being made (if not shown) there as the Black House documents.

My 4190 Walthercollection Moyi 5 16Notice 2014
Mo Yi, 5.16 Notice: It's Been 49 Years, 2014

The Green House

In the early decades of the People’s Republic, China’s social structure officially consisted of a solid core of workers, peasants, and soldiers. The more fluid and transient social formations that define contemporary China are reflected in the Green House in “New Personal and Collective Identities,” with works by Xu Yong, Zheng Guogu, or Lu Yang which document the emergence of various forms of individual and collective identity based on gender or sexual orientation.

Xy 4194 Walthercollection Xuyong Thisface 2011
Xu Yong, This Face, 2014

Artists on display

Artworks on display

    Upcoming events

    Life and Dreams: Public Guided Tour

    Walther Collection Life And Dreams Guided Tour Fuehrung 2018

    August 24, 2018, 05:00 pm - 06:30 pm
    August 31, 2018, 05:00 pm - 06:30 pm
    September 2, 2018, 03:00 pm - 04:30 pm
    September 7, 2018, 05:00 pm - 06:30 pm
    September 14, 2018, 05:00 pm - 06:30 pm

    Read more

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